Ali Dashti (1273-1360) is one of the distinguished writers who upon publishing the notes ”Ayyam Mahbas” in 1301 joined the STYLE="font-STYLE:inherit;color:rgb(255,0,120);">SIMPLE STYLE WRITING movement in Contemporary Prose. Apart from this work, many other works in variety of genres such as translation, journalism, story, and literary criticism all share this characteristic. However, in his prose, particularly his first works, there are considerable numbers of Arabic terms which apparently deviates his prose from the simplicity in terms of choice of diction.The density of such terms has drawn the attention of critics to an extent which they regard this feature as a great shortcoming in his WRITING STYLE and even comparing his prose particularly in his articles with that of his contemporaries, they place his prose alongside courtly prose and regard it as a continuation of the same tradition. In this article, the impact of Arabic terms on the simplicity of Dashti’s prose, in particular his critical works is investigated.

The current research was conducted with the aim of the effect of attachment STYLE on emotion regulation with the mediating role of identity STYLE. The research method was descriptive and structural equation analysis. The statistical population of the research was all second year high school students of Kashan city in the academic year of 1400-1401, of which 500 people were selected by random cluster method. Data were collected based on three questionnaires: Gross & Jan (2003) Emotional Regulation Inventory, Identity STYLE Scale (6G-ISI) and Collins and Reid (1990) Attachment STYLE Questionnaire. The data are obtained by structural equation modeling and using Laserl 8.8 and 26 spss software. analyzed. Based on the results, secure attachment STYLE at a significance level of 0.01, avoidant attachment STYLE at a significance level of 0.05, and ambivalent attachment STYLE at a significance level of 0.01 directly predicted emotion regulation. Among the three attachments, secure attachment STYLE predicted emotion regulation at a significant level of 0.01, with the mediation of identity STYLEs. Informational identity STYLE at a significance level of 0.01, confused identity STYLE at a significance level of 0.05 directly predicted emotion regulation. Among the three attachments, only the secure attachment STYLE at a significance level of 0.01 had a significant role in predicting the normative identity STYLE. According to the results of this study, emotion regulation is one of the most important constructs of educational psychology and an important factor in determining mental health and successful performance. It is in education that the factors affecting emotion regulation and its antecedents should be identified. Planning for training and holding educational workshops in this field in schools is suggested for students.

One of the STYLEs to review the literary works from stylistic point of view is to pay attention to external and internal aspects as well as rivew of three shapes of tone, meaning and form. Review of collection of Hamleh Haidary from language and content aspects reveal that Raji has approached to epic and has been affected by Shah - Nameh of Ferdowsi. A comparison of area of words of "Hamleh" and" Shah - Nameh " shows the homogenity and herogenity in these two works. Another charactristic of Raji"s Hamleh is the naration of its language. Even though the content of Hamleh Haidary is considred as a mixture of epic and lyric. Imagination of Raji has been made up two scopes, emotion and wisdom. Moreover, magnifying and exaggeration of events can be counted as the images of this epical poet which sometimes represent the influence of Shah Nameh on him.

Besides its historical, geographical, literary, and social significance, Tarikh Beihaghi, an important Persian literature work, particularly enjoys its WRITING STYLE. Following Abu Nasr Moshkan’s (Beihaghi’s teacher) prose STYLE, Beihaghi’s prose shares certain characteristics with those of the Samani era. On the other hand, these same features relate the work to technical prose works. Moreover, it owns features that distinguish it from other similar works. Besides archaism, one can see different forms of periphrasis and circumlocution, poetic features, especially allusion and simile, and various influences of Arabic literature, in Beihaghi’s prose. Beihaghi’s STYLEs are more revealed in sentence structures, some transpositions, word coining, using specific allusive statements, and certain poetic images.

This article aims at analyzing Sadegh-e-Chooback's stories from the viewpoint of story elements such as: plot; characterization, dialogue, etc. The main goal is to find out how Chooback, as one of the greatest short story writers, has employed the modern fictional elements based on which his STYLE will be determined, too. It is also attempted to specify the way Naturalism and Modernism have influenced his WRITING STYLE.

This article is the result of a study on fictional-traditional European novel as a literary category, its nature and included subjects, the history of its development, its social and cultural background and its written and narrative STYLE. After discussing the literal meaning of fictional and the way it got into the literature world, we have talked about the roots and the history of appearance of this literary STYLE in late eighteen century and its dehiscence in early nineteen century, and remarkable writers in this area have been briefly introduced.After reviewing the domain and subjects of fictional novels, some examples of its usage in literary works and the reason of its difference with other kinds of extraordinary types have been considered.In continue, with discuss the WRITING STYLE, the narration form and general classification of the subject.In each section, according to its subject, remarkable writers and their works have been reviewed. Finally, the diversion and ending of this STYLE in twentieth century is reviewed.

This decade is the reflection of the enlightenment in Iran; it is also a period of opposing against backwardness, decadence, superstition, hesitations, at the same time the period of awareness and modernism. The quantitative development, in recent years, shows a kind of feministic self-awareness among them in the vast level of society and their dependence on getting self-identity. No doubt, the women, in these years, have had striking progress in the area of story WRITING. Their movements in art and WRITING are not only a cultural struggle, but also a foreign phenomenon.It has been tried, in this collection; to deal with the developments happened in the fields of thought and WRITING of this class of society.

The prose of scientific and literary books which have been written in different contexts of humanities, have allocated separate discussions, in the contemporary literature, to themselves and it is necessary, by studying and researching in them, to extract their finer points and niceties as the modern STYLE of WRITING and teach them to the younger generation. These STYLEs of WRITING which have a special distinction over the common, vulgar, and newspaper STYLEs, have been created by the writers who have delved into the past texts and through the years of WRITING and exercise, have founded individual distinctions in their own STYLEs. Eslami Nodooshan's elegant and experienced STYLE is very noticeable in this domain. Besides his seasoned prose, the type of his thoughts and his endeavor to link the young generation of today with the cultural foundations of the past has endowed his works a special privilege.

About eighty inscriptions have been discovered from Achaemenian dynasty up to the present time. Since these inscriptions have been kept from corrections and editions they are considered as the very valuable documents for the study of Iranian history. In spite of many comprehensive studies on these inscriptions, less attention has been drawn upon the WRITING STYLE of Old Persian inscriptions. It seems that special models were used by the scribes in WRITING these inscriptions. The aim of this article is to review the stylistic aspects in these inscriptions.  

BACKGROUND AND OBJECTIVES: Iskanderbeg Turkman is one of the most prominent secretaries of the Safavid period and a special secretary of Shah Abbas I, who wrote many letters of the Safavid period. One of the most notable works of the Safavid period is the book History of the Abbasid Scholars, which is the main subject of this research and was created by this master secretary. In this research, an attempt has been made to examine the stylistic and WRITING features of this book. Because this work, as one of the most detailed and famous works of the Safavid period, can be a significant example of the intellectual and WRITING STYLE of the teachers of the Safavid period. METHODOLOGY: The present study was conducted in a descriptive-analytical manner based on library studies. FINDINGS: In comparison with the various and compelling works of the Safavid period, this work has been somewhat faithful to the simplification method that Skanderbeg emphasizes,But Skanderbeg being the secretary and secretary has caused this work to be written in the STYLE of secretaries, in a compulsive and secretarial way. In WRITING the book, the author has used two methods of STYLE="font-STYLE:inherit;color:rgb(255,0,120);">SIMPLE and artificial prose. Phrases and secretarial tasks that were used in most of the books and letters of that time are less mentioned in this book, and contrary to the mental background, such things as prostration, use of synonyms, addition of additions, puns, Arabic poems, etc. are as common as other texts. Or letters of the Safavid period have no frequency. CONCLUSION: The talent and literary knowledge of Skanderbeg the secretary has become one of the reasons for his success and the permanence of his work. Balanced use of literary industries such as metaphor, simile, metaphor, rhyme, citation of Quranic verses and the use of Persian and sometimes Arabic poems and …,has increased the richness of the text and the effect of the word and in this regard can make the book more important puts.